More on UCLA prof winning Nobel Prize
Dec. 12th, 2020 01:45 pmI'm not done with the winners of the Nobel Prize for Physics who I mentioned here yesterday. Here is the winner from my undergraduate alma mater UCLA, Nobel Ceremony for Andrea Ghez.
On Dec. 9, 2020, UCLA's Andrea Ghez received her Nobel medal after being awarded the Nobel Prize in physics for her role in the discovery of the supermassive black hole at the center of our galaxy.
Congratulations, Dr. Ghez!
Muse and the UCLA Band play 'Pressure'
Dec. 4th, 2018 08:52 amNext, the UCLA Band alone playing "Pressure."
They sound a lot better than the U$C Band playing Radiohead.
It turned out to be the solution to a problem I had when describing my issues with the 1980-1985 UCLA Band flag uniforms, which I didn't like. I knew the flag uniforms from 1974-1979 had to be changed, but I couldn't come up with a description of what I wanted them to be. These uniforms are as close as I can get. Turn the navy blue to a royal blue and the inserts in the pleats to the yellow elsewhere in the uniform, and it would have been perfect. I don't know about the go-go boots, but I suppose I could have persuaded the band director about those if I had wanted. The women in the guard, maybe not.
I could have used the flags, too. Just get rid of the navy anchor.
BTW, the music is from "Thunderbirds Are Go!" It's appropriately geeky enough.
Happy Marching Music Day! Since the Academy Awards are also tonight, I've decided to make today's theme marching music at the Academy Awards. To that end, here is my the marching band of my undergraduate alma mater in Ingrid Bergman, Sidney Poitier and the UCLA Marching Band: 1969 Oscars.
Ingrid Bergman, Sidney Poitier, Paula Kelly and the UCLA Marching Band offer their own interpretations of "Chitty Chitty Bang Bang" at the 41st Academy Awards in 1969.I watched that as a nine-year-old and was enthralled. I suppose it was one of the reasons why I marched in the UCLA Band beginning eight years later.
By the way, the power's back on but the Internet is down. Because of that, I may not post last month's top posts at Crazy Eddie's Motie News until Tuesday. Stay tuned.
The person who posted the video wondered why this happened. I answered "They were marching down to the Palladium for a promotional event. There they played the main title theme, The Winds of Winter, and The Rains of Castamere. There's a video of it here on YouTube." Here it is.
Yes, the marquee really does say "Game of Thrones, Music is Coming."
The poster also snarked "Who knows! Maybe next week I'll spot the Blue Devils Drum Corp randomly march past our offices!" My response was "As for the Blue Devils marching down Hollywood Blvd, you and I both wish. We're more likely to see Pacific Crest or my alma mater UCLA." Speaking of which, the UCLA Band does cool stuff, too. When I finish my series about my years in the Bruin Band, I might post those. Stay tuned.
One of the things that struck me at the time was how much the focus was on UCLA. There was even a singer at the rally performing a hit song "Yes, We Have UCLA Feeling." Unfortunately, he didn't make the video. As a result, Oregon State was neglected. It's not as obvious here, but their signs said Oregon and were in red and white instead of Oregon State in orange and black. We in the UCLA Band felt sorry for them.
As for what strikes me now, 38 years later, it's how well J.J. handled the questions. In particular, she was both funny and diplomatic when she answered "who is the most popular guy in the UCLA Band?" That stands out across the decades, while it was merely amusing at the time.
I have two more videos about the Mirage Bowl to go before I end this series. Stay tuned.
After watching it, I realized that, while I remember marching the parade, I don't recall many details about it. It's not a memory I have revisited much, if at all, over the past 38 years. Honestly, the vendor selling Pocari Sweat, a drink like Gatorade, made more of an impression than playing in this parade. I didn't even remember that the band played "Stars and Stripes Forever" over and over again. On the other hand, it was fun to see my old bandmates while they were young once again.
I was very happy with the amount of flagwork I put in the show and pretty happy with how it was executed. I put two things in here that I probably wouldn't have if this hadn't been a U$C game, the flag toss in the middle of the opener and the headchoppers in "Moondance." Both of those were "F-you, can you do this?" to the U$C flag line, especially the flag toss. The headchoppers were recycled from "Dream Police" in the Punk show performed at Cal; I used them because they were impressive and I knew the flag line could pull them off.
In case my readers can't tell what the last formation is, it's the Los Angeles Bicentennial logo. The camera is just looking at it upside-down.
After all, the entire show was a salute to L.A. on its 200th birthday. This wasn't the first anniversary logo. The entire time I marched and instructed, the opening set of the pregame show was the arcs from the UCLA 50th birthday logo (that anniversary was the inspiration for the 1979 U$C show, too). Unfortunately, that image hasn't survived on the internet.
This video really shows the transition to corps style well underway. It also shows the flag line at its absolute best when I was teaching it. I really enjoyed watching both the content and execution of the routine and the marching. Both the line and I made a lot of progress both over the year and from 1979 to 1980.
And, yes, UCLA had a rifle line during pregame. That was the brainchild of the same sisters who designed the uniforms. I was OK with it until they took the best freshman flag, who had marched in the Santa Clara Vanguard, with them.* I didn't like that, but I lost the fight. Oh, well. They weren't in halftime, where the members were dispersed among the musicians and guard. Stay tuned for that.*I saw her mark time during flag tryouts, noted her style, and asked where she marched. I could tell she had marched in drum corps.
On the whole, this is a good performance by the flag line. The issue that I had earlier in the season, that one side was visibly less together than the other, had pretty much cleared up. My one regret was that I didn't have the flags do a brief routine while the band was halted in the middle of "Long Time." Looking at the video, that would have helped the entertainment value. Still, I am a lot happier about the amount of flagwork in this halftime show than I was in the pregame show.
As for the show itself, it felt ironic to extol all of UCLA's then-record 30 NCAA championships, particularly playing "We are the Champions," while the football team was being blown out and UCLA was about the complete a 5-6 season. Then again, we knew our team sucked by that time, so losing this game hurt less than losing the previous two, 1977 in particular. That we lost in the last minute and UCLA went from going to the Rose Bowl to not going to a bowl game at all.
Finally, this was my sister's last performance with the UCLA Band. She left after seeing the new uniforms and having to deal with all of the politics of the band going to Tokyo.
That's it for 1979. Stay tuned for four posts with performances from 1980.
The most effective flagwork was both the simplest and the one I didn't write, the beating of the shrinking DISCO during "You're No Good." The assistant band director who wrote the drill had an idea that I couldn't figure out how to execute. Saturday morning, he taught the flags what he wanted. It worked very well. Sometimes if you want something done, do it yourself.
A couple of comments from other band members that i remember nearly 40 years later. First, one of my fellow tuba players observed the irony of playing "Play that Funky Music" after yelling "Disco sucks!" "We yell 'Disco sucks' and what do we play afterwards? More disco!" I thought it was funny at the time, but now I don't know if I'd consider that song disco. Next, one of the more smart-alec band members yelled "This show sucks!" during rehearsal. The band director heard him and said "enunciate!" Well, that's one way to both be told off and get away with things.
I'm going to skip this series for the next two days as I post my saved comments and the top posts of January 2018. I'll resume with one last performance from 1979, the UCLA vs. USC halftime. Stay tuned.
I remember writing that routine, just like I had to have written all of the flag routines. Then I taught it to the flag line. The morning of the game, the high school bands showed up for rehearsal and I split the flag line into pairs, who then taught it to the high school flag lines. That was the standard procedure. I did it again in 1980, which was much more memorable. If that ever gets posted, I'll tell the story then. I also have a story about the 1976 Band Day, which I attended while I was still in high school. UCLA played Air Force and the USAFA Drum and Bugle Corps was there. I sat on the Air Force side. I also met a girl in Workman High School that I kept in contact with until 1980 and whose friends I marched with in Anaheim Kingsmen in 1978. It's too bad that long distance phone calls were so expensive back then. I'd have talked to her more.
Enough of Band Day. Tomorrow, I post the Disco Suck show, which is the best show I never saw live while I was in the UCLA Band.
This is more complete than the one at Stanford earlier that month and not only because the camera caught the first two minutes of the show but also because the drill into the Star Spangled Banner is only performed at home games. In addition, I added more flagwork to the show, particularly near the end of Crown Imperial. Before, there was no headchopper move. Now, there is one. Flagwork is still sparse; I could have added another 30 seconds in Crown Imperial, another minute in Be True to Your School and another minute in the Annie-People medley, but I can't travel back in time to tell 20-year-old me that. Oh, well.
By the way the first two minutes are probably the best example of corps style drill for the 1979 UCLA Band. In a few days, I'll post the 1980 pregame and the transition will be even more apparent.
Anyway, enjoy watching the high school bands parade into the Los Angeles Coliseum. Some of them are still playing the same competition marches today, nearly 40 years later.
I'll post the pregame show tomorrow. Stay tuned.
This show starts about a minute in, so the opening fanfare and drill move I thought was so impressive at the time did not make the edit. A later video will show the entire program. Even so, this video does a good job of displaying the UCLA Band's transition to corps style, which is even more pronounced in the pregame show than the halftime shows. There are squads of four in the band, but one hardly can tell they exist, as the drill runs so much off of blocks and follow the leaders. As for the flagwork, it's pretty sparse, although I'm very proud of how all the flags performed in the part of "Crown Imperial" that did get into the video; no strong side or weak side here.
The next three shows will be 1979's high school band day. Stay tuned.
The band's performance wasn't what was most memorable about this game. Instead, it was the environmental conditions. Note that this was a day game, but there is no sunlight. This game also was played in early fall, too late for a coastal cloud deck yet too early for rain. What could create the overcast? I'll explain that after the video.
The one thing that can produce overcast like this in southern California during summer and early fall is fire. When this game took place, there were forest and brush fires all around Los Angeles, large enough to completely cover the sky even in the middle of the city. Worse yet, ash was falling out of the sky like snow. It was depressing and foreboding, the kind of day that fits my description of Southern California that I tell my students: "364 days a year the weather is beautiful and the people are too, so everyone forgets that one day a year, everything goes to Hell." Things were going to Hell that day.
The pall of smoke over L.A. even affected the cheerleaders. During the 1970s, one of UCLA's Yell Leaders was a grad student nicknamed "Frisbee." His traditional cheer was a bit of call and response prop comedy. He'd hold aloft a football and ask the students "Is this a football?" They would answer, "Yes, that's a football!" He'd point at the field and ask "Is that a field?" "Yes, that's a field!" the students would reply. Then he'd point at the visiting team and ask "Is that the loooosing team?" "Yes that's a loooosing team!" the students respond. "Are we the winning team?" "Yes, we're the winning team!" "Are we the Bruins?" "Yes, we're the Bruins!" He'd conclude with UCLA's traditional cheer, an 8-clap. At the start of this game, Frisbee inserted this comment on the weather. Between pointing at the field and the away team (OSU clobbered UCLA that day, so they weren't the losing team), he pointed at the sky and asked "Are we sick of this?" "Yes, we're sick of this," the students answered. I don't recall that happening at any other UCLA game I attended.
Next up, the Stanford pregame. Stay tuned.